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"I think what's
really bad
for any crime drama...is when its failures remind you of a comedy about a
scriptwriter writing a similar story, only to have his own wife admit that
it sucks."
---from the review
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Feel free to contribute.
As always, review submissions are
accepted!
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Sidebar
::
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Flashbacks are
rarely a simple flash-in-the-pan.
You'll hear a lot of flak about this film and its hard to follow
"flashback" sequences. To be fair, it is no easy task to write or
direct fluid, non-confusing flashback sequences. Yet even the slightest of
nuances could've tipped us off to "young Katie" versus "older
Katie." Maybe she wore/wears glasses, or maybe she just cut her hair
different. The only difference seems to be how Catherine Burke is always
smiling and looking adoringly at Embry in the flashbacks, while now she
seems a stressed-out, disheveled, borderline alcoholic. Kudos should go to
Katie Holmes, who does a perfect job in both cases, smiling her "Dawson's
Creek, Season One" smile in the flashbacks, while giving her mature
"Season Six" smirk in the present-day shots. However, a bit of
help in the make-up and costuming department would have been nice.
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Abandon

Click
picture to order this DVD (widescreen)
Full
screen also available: Click
Here.
As Always, a review of The
Film and The DVD (extras)!
The Film:
While people look to
Reese Witherspoon as "The Next Big Thing," I find myself keeping
an eye on Katie Holmes as well...and perhaps, even a bit more. From Ice House to The Gift,
I see a bright future for her. Unfortunately, her latest film, Abandon,
fails to prove my point. Or maybe it does. Its faults surely aren't
because of her. On the other hand, I can say the same thing for Reese
Witherspoon, for every cockeyed script she's starred in since Election.
Do they share the same agent...?
The story here is hard to
categorize, since it's not really a mystery, not really a drama, and not
really a thriller. Catherine
"Katie" Burke (Katie Holmes) is a go-getter college student
whose endless nights of senior college studies, finishing her thesis, and
looking for a prestigious job, all have her on the brink of total exhaustion. It
doesn't make it any easier when Detective Wade Handler (Benjamin Bratt)
comes in, re-opening a two-year-old case involving Embry
Langan (Charlie Hunnam), Katie's rich playboy ex-boyfriend. He wants to
know any leads she may have to his
whereabouts.
Don't blame the trailer
for spoiling a major plot device; this story is a bit devoid of interest
unless you do. That said, let me say what the trailers (and many
early-bird reviews) already reveal: Katie begins to see Embry hanging
around her school, apparently with the intent of harassing her. While this
might lead to an intriguing stalker thriller it instead leads to a mystery
that is so predictable, the simplest of comparisons would reveal it in a
heartbeat. References to a book that inspired the script, or other similar
films, or even delving into the meaning behind the title
"Abandon," all threaten the plot twist "surprises" in
the final reel, which are surprising only to the film's characters. There
is creepiness to this "thriller," to be sure, though none as
creepy as when Wade daringly begins a relationship with Katie; a girl 15 years his junior.
It's fair to note, in
defense of writer/director Stephen Gaghan (who also wrote the
award-winning Traffic), that a story like this could only
lead to predictability, regardless of whatever direction was made in the final reel. You could mix and match any number of
plot threads in this "missing person mystery" story, like a game of literary "Twister," and still
come up with pure bunk. Maybe Embry is missing though maybe not; maybe her
sightings of Embry are hallucinations from exhaustion, though maybe
not; maybe he didn't really
leave though maybe not; maybe a murder is being hidden or maybe there's
nothing to hide; and maybe the ending will be a closed-case...though
nobody can resist the temptation of a possible sequel, so...maybe
not. The list of possibilities seems endless, yet every combination has
been done, done, and done.
I think what's really
bad
for any crime drama, however, is when its failures remind you of a comedy about a
scriptwriter writing a similar story, only to have his own wife admit that
it sucks. That film would be Funny Farm, where Chevy Chase offers
Madolyn Smith a peek at a rough draft of his crime novel. She
winds up in tears as she mentions the story's ill-conceived "flash
back...flash forward...I think there was even a flash-sideways!" This
film's final reel is embarrassingly similar: a flash forward, a
flash-further-forward, a flashback to before the first flash forward, then
a flash to the second flash-forward again, then a flash back to the
original story's "present" (which I guess in now the past)
interspersed with further flash-backs of Embry's initial departure. This
all leads to a final flash-forward to the farthest flash-forward (the
"present," we must presume) only to have a final scene that cries out "sequel" without realizing that such
storytelling failures will unlikely lead to one.
However, don't let any of
the blame here fall on poor Katie's shoulders...or Benjamin Bratt's, for
that matter. While neither performance is Oscar-worthy, their efforts surely deserve
kudos; they worked very well with what little they were given. This goes triple, however, for Zooey Deschanel, whose role as Katie
Burke's party-girl best friend
steals every scene she's in. That's extremely
rare...though sadly, not rare enough to forgive the film's faults
elsewhere.
---Techtite
The DVD:
Commentary is by writer/director
Stephen Gaghan. While it's nice enough I always
have problem with one-man shows as audio commentaries, even if said one
man is both writer and director. There just isn't any clever repartee,
leading to lulls in the commentary and in the end, not as good of a
comment track is it could have been. Sadly,
that's about it...though purely by accident. There are the theatrical
trailers, sure, plus a making-of featurette and deleted/extended scenes.
However, I cannot summarize for you what such deleted and extended scenes
are --as I usually do-- because I totally forgot to look for them this
time around. I was too busy discussing the ending of the film with my
fellow movie buff to remember to check for such added footage. Is that
worth raising the grade for this film, given that the ending was so
conversation-worthy? Nah. Maybe somebody someday will send me a review
submission with a deleted scene list...though I doubt this film will coax
many people to bother. Sorry.
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