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"How shocking is this film's allegedly shocking ending? Well, let's put it this way: my 65 year old mother figured it out the first time she saw the TV commercial for this film, nearly a month before it was even released. Either she's psychic, or this is a dreadfully predictable film. With all due respects to my intuitive mother, I'd vote for the latter possibility."

--from the review

 

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In Association with Amazon.com

The Life of David Gale

Click picture to order this DVD (Widescreen)

Full Screen Also Available, Click Here.

A Techtite Review

 

As Always, a review of The Film and The DVD (extras)!

The Film: I had many parting thoughts thanks to The Life of David Gale, though nothing close to what the filmmakers hoped for. I suppose I was intended to think about capital punishment, though instead I was too busy thinking of all the laughably bad conceptual mistakes of this haphazardly constructed film. I'm reminded of a scene in Planes Trains and Automobiles, when Steve Martin's character advises John Candy's character to have a point when telling a story; it makes it far more interesting to the listener. That sums up the errors of this film perfectly.

Here's the story: David Gale (Kevin Spacey) is on death row, whose final sentence will be carried out in a matter of days. He is to be interviewed by Elisabeth "Bitsy" Bloom (Kate WInslet), who of course is told right off the bat that he's innocent, and of course right off the bat believes him. She sets out to be the typical clichéd pipe dream of every reporter; to discover evidence that every police officer, detective, and defense attorney overlooked; the typical journalist's fairy tale.

The first half of the film tells an amusing enough mystery about Gale's life. Both he and the woman he allegedly killed (Laura Linney) were against the death penalty. Was she killed, with him framed for the murder? That's the lead Bitsy tries to follow, which makes the first part of the film less nauseating than it could've been, in a clichéd, mystery-novel-sold-in-a-supermarket sort of way. Then the scriptwriter attempts to shock us with a twist that is totally inept, only to cap it off with another twist, which is imbecilic. To say that this is a "bad" or "unhappy" ending is irrelevant: more to the point, this is a dumb ending.

That's about all I can say about this clichéd story without revealing the "shocking ending" the commercials keep boasting about (complete with a hand-over-mouth gasp from Kate Winslet). How shocking is this film's allegedly "shocking" ending? Well, let's put it this way: my 65 year old mother figured it out the first time she saw the TV commercial for this film, nearly a month before it was even released. Either she's psychic, or this is a dreadfully predictable film. With all due respects to my intuitive mother, I'd vote for the latter possibility.

Don't worry, anti-spoiler-hunters: I won't reveal the "surprise ending." However, I will allude to stupid moments not directly related to the twist, yet demand mentioning. Like how Bitsy rents a car, that just happens to break down at a tense moment. This is followed by Bitsy losing her scruples entirely, and deciding that the best course of action is to run the rest of the way...through a cemetery, no less. . She does this because it's apparently felt a sprint through a cemetery would be very symbolic. However, for whom do the graves symbolize; the "poor" murderers on death row, or the even poorer victims they slaughtered?

I guess it's not a spoiler in itself to say that David Gale is so much against the death penalty that he's convinced he'll be sent to his death, even if truly innocent. However, the system here is hardly flawed. The justice department works on the assumption (insert "assume" joke here) that the defendant is not stupid enough to wait until three days before his execution to have a reporter prove his innocence. In the end, David Gale may indeed be an innocent man, though he's is a crackpot, freak, fruitcake, ninny, scatterbrain, geek, gonzo, goof ball, kook, looney tune, nutcake, oddball, weirdo, whacko, yo-yo, cuckoo, ding-a-ling, dingbat, flake, harebrain, lamebrain, lunatic, nut, and a total screwball. Dare I list the synonyms for this film's director, who makes this fruit loop's eminent demise the sympathetic device for the whole film?

People against capital punishment may think that people against this film are merely upset at the pro-life stance taken in the story. This is totally off the map. In fact, I would be more willing to believe that this is a capital-punishment supporter's way of making the people against the death penalty look like total scatterbrains. The truth is, we may never know what the "message" is here, in this otherwise very preachy film. Given that the whole point was to "deliver a message," the fact it never does is the surest sign of a worthless film.

---Techtite

The DVD: It's not that this disc doesn't have an admirable selection of extras; I just don't see what the point is. Why show deleted scenes, unless they are of an alternate ending or the like? Deleted scenes from a film like this is not unlike a deleted condiment from a table of tripe. Who cares?

So, let's just jump through the extra list: the obligatory trailer, a making-of featurette, a music featurette (?), audio commentary by Alan Parker, and poster concepts. Oh, there's also a "Death in Texas" feature, for anyone who'd like to be any more confused than they already are, as to the point of this film, one way or another. As for me; I'm off to review a movie with a much better sense of why it was made (knock wood)...

 

Final Rating : Burnout. What is the purpose of releasing a film to deliver a message, with no clear indication of what that message is?

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