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X-men
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picture above, to order this DVD
The Film :
(the full review, as posted on opening day, in Techtite's
Movie Reviews): It's rare to see Marvel comic book characters in a movie.
I think DC comics lucked out, due to a business link with Warner
Bros., leading to Superman, Batman, and Wonder Woman in any number
of TV series or films. Marvel comics, however, has often been
left in the lurch, probably because the inspired original visions
by Stan Lee were too impossible to achieve with special effects...until
now. Finally, 20th Century Fox releases X-men,
and it's one of the best action-savvy flicks you'll be offered
this summer.
The story is one of the most classic comic tales; one that
has kept the comic alive and well since 1961! In the near future,
humankind has reached the next stage of evolution. A powerful
gene --the "X Factor"-- has allowed certain humans
to develop a small taste of the power we will all soon have.
Some have ESP, and others have telekinesis, while others have
powers even more incredible. The apprehension for such "mutants"
is brewing...
One
of the first such mutants, Professor Charles Xavier (Patrick
Stewart), has decided to use his vast fortune to seek out young
mutants, and put them in his "special school," so they
can hone their skills. The best of these mutants get to be part
of his secretive superhero team, the X-men. By the start of this
film, he has found five such mutants : the metal-clawed Wolverine
(Hugh Jackman), the elemental powered Storm (Halle Barry), the
power-absorbing Rogue (Anna Paquin), the telekinetic Jean Grey
(Famke Janssen), and the laser-eyed Cyclops (James Marsden).
The core goal of these X-men is to help humankind, and prove
that mutants "are not what you think...not all of us."
Occasionally,
however, mutants receive too much power, and decide to use their
special powers against the "normal" humans who despise
them. This "Brotherhood" includes the magnetic charged
Magneto (Ian McKellan), the shape shifting Mystique (Rebecca
Romijn-Stamos), the animal instincts of Sabretooth (Tyler Mane),
and the truly creepy Toad (Ray Park, who last year was Star Wars'
Darth Maul). It's mutants like these that are giving the new
breed of humans a bad name. Things are bound to get worse, as
Magneto devises a plan to accelerate the process of mutant evolution...if
a few "normal" humans are killed in the meantime, so
what? Xavier must stop him at all costs, with the help of his
fellow X-men. Will they succeed? To doubt this is to have never
read the comic book.
The only thing going against this film is initial buzz...a
lot of which was pretty unreliable. A few web surfers claimed
to have seen raw footage of the film, before the effects were
added. As a result, allegedly honest folks, under nicknames like
"Guido the Killer Pimp," said the film was terrible
without its effects; it just made no sense. Well, what sci-fi
film would make sense, without its effects? Not even the original
Star Wars would be worth the price of celluloid
without the scenes of the Falcon entering hyperspace, the Death
Star destroying a planet, or the infamous trench scene. All you'd
be left with is a boy in the desert with two droids, one of which
was ripped off from the silent film, Metropolis.
Under such scrutiny, even last year's smash hit The Matrix
wouldn't survive, if its award winning effects were removed.
This
isn't to say that X-men is merely special effects.
I'm just saying that sometimes effects are needed to help tell
a story, as opposed to a story written around pretty effects
scenes. Examples of the latter might include Twister,
where snazzy tornado FX were put in a film, and a script was
written around them. In X-men, by contrast, effects
are used to enhance the feeling that these mutants are ominous:
one can bend metal to his will as if it was tissue paper, while
another can become a dead ringer for any person she sees, with
merely a glance.
The final battle between all 9 mutants --an excellent lesson
in teamwork, so pay attention!-- is one of the best superhero bouts
since, possibly, Superman II. In another
memorable scene, the villainous Magneto casually walks over a
large chasm, while mentally "building" a metal bridge
brick by brick as he walks across. Such scenes will, at the extreme
least, guarantee an FX Oscar nomination next year.
The best part of X-men, though, is its excellent
handling of the subject matter. The film will appeal to kids
and adults alike, because it doesn't talk down to you, as if
telling a story to a little child. Much like Superman :
The Movie --and probably for the first time since that
film's '78 release-- this film takes the storyline and characters
seriously, leading to a more gripping film. Magneto, for example,
is not just painted as "the bad dude," and instead
is painted as a WW2 holocaust survivor, who always has to live
with the fact that his powers could have saved his mother, if
only he had honed his skills enough at the time. It also paints
a nice prelude to X-men's constant message against racism, which
is excellently handled, in a very subtle way.
The biggest fans of the film, of course, will be readers of
the comic book over the past 39 years. While some might not like
how their fave character is not present (after nearly 4 decades,
there's so many of them!), there are some amusing cameos of the
most memorable ex-X-men, including Bobby "Iceman"
Drake, Kitty "Shadowcat" Pryde, and, I think, "Pyro"
(his cameo is too brief to know if it was him). There's a lot
to like in X-men, and fans should be thrilled.
It might even coax a few non-readers to give a story or two a
glance...and there's no better endorsement than that,
for any film.
The DVD:
The amusement here is that the makers of the DVD were able to ad
everything they did --on one, single-sided DVD-- and still have it rival
most of the other sci-fi disc offerings out there. The Matrix
DVD still has its level of mass appeal, though this disc has its perks as
well.
Much like the Terminator
2 Ultimate Edition DVD set, menus are offered as fully
animated CGI animations (in this case, Professor Xavier's Cerebro
machine). Among the options chosen, via the special features menu, is to
view the film in a "director's cut" format. This version
includes ten minutes of footage not seen in theaters, which are mostly
just scenes already in the picture, that were cut down for time concerns.
Among these missing moments is a longer interaction between Wolverine and
Jean Grey (when she shows him to his new room), and an intriguing speaking
part for Kitty "Shadowcat" Pride, who asks Rogue about Wolverine
(fans of the comic series may remember how Wolverine became Kitty's
mentor, leading to her better knowledge of combat skills, and even a
side-story which introduced her "Shadowcat" moniker).
Added features include the complete special
"The Mutant Watch," as shown on the FOX channel to promote the
film upon its release. There is also a Brian Singer interview, and the
chance to see Hugh Jackman's screen test. Many were surprised at him
getting such a lucrative role in the film; this screen test, for many,
might explain why. Some storyboards and an art gallery are also available.
The best amusement, however, are two ingeniously
placed "Easter Eggs." In the Special Features Menu, choose the
menu for "Theatrical Trailers," then click on the white rose to
the left. An outtake will play, where...well, the X-men get greeted by a
surprise mystery guest! Second, select the "art gallery" menu
option, then highlight and click on Wolverine's dog tags. This reveals
some additional conceptual photos, of characters decided to be cut from
the final film: "The Beast" and "The Blob."
The end result is a DVD I'm glad to have in
my collection. I may get some ribbing for giving this film such a high
rating, though hey, Roger Ebert gave The Cell four out of four stars. I
think I'm allowed a similar attempt, to tell Hollywood what films I really
like. If they release more films like this and The Matrix,
than this sci-fi fan is more than happy.
Click
this picture of the DVD case, to order this DVD.
To buy the X-Men movie on VHS, Click Here
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copyright 2000; all rights reserved. Pics of film are from the
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