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Sex and the City:
The 4th Season

For anyone who's just joining in to
Techtite.com, suffice to say, I was no big fan of Sex and the City's
third season (i.e., the one prior to this one). My review, as of the
season finale, was one of great hesitation to believe a fourth season would be
anything more than a tough sell. Well, surprisingly, the one-hour 4th-season
premiere (that was actually two totally different episodes edited
together) was far better than most of what last season had to offer. Well, let's just say it
succeeds in upping my current rating for the series from "marginal thumbs down" to "marginal thumbs
up." Well, at least that's progress, right? Such quality writing in
the premiere might not have lasted all season, though at least it's still
a step upward.
The opening scene
of the premiere is what really gave me
high hopes for the overall season. Why? Because much like the best films, it revitalizes the art
of interesting conversation. The story opens with the
girls musing over an engagement party's sappy invitation, labeled
"Two spirits, one thought." Carrie then muses the best line of
the whole premiere: "If two people have only one thought
between them, something is very wrong." Later, Samantha and
Carrie admit each had once slept with the potential
groom...with Miranda only confessing to flashing him one of her breasts. "Just one...?" muses
Carrie.
"I sensed he couldn't commit," says Miranda. Later,
the now-engaged man forgets Miranda's name completely, with Carrie saying
he might have remembered her name, if she had showed him both breasts. Sure,
it isn't Shakespeare, though this is as witty as I've seen Sex and
the City in years.
Unfortunately, the first
story
of the season --titled
"The Agony and the 'Ex'-tacy"-- was not as
intriguing as the dialog snippets that held it together. Carrie (Sarah
Jessica Parker), is having her 35th birthday, and is feeling a bit old and
lonely. Old...? Unless she saw Logan's Run 5 years ago, I
don't get her beef about being 35. Lonely...? She hangs around with
three of her best friends. The final scene just
makes it worse, with her finding salvation thanks to --ugh, him
again?-- Mr. Big, who drives up, hands her a bouquet of balloons...then
drives away.
She then concludes the story saying she's happy to have, at least, that one
terrific guy in her life. Yeah; nothing like the guy who still gives you
balloons, after wrecking his marriage last season. While on the subject;
how cheap is the budget of this series, when Carrie's "balloon
bouquet" consists of cheap balloons you can get for $1.00 a bag? If
Carrie is this easy to please, why is she still single?
The rest of the season's stories were a
rag-tag bunch, yet still much better than what was offered the prior
summer. Charlotte, for example, wants a baby, yet biologically has only a
15% chance of naturally conceiving one. Meanwhile, Miranda --who is one of
the most neurotic, non-maternal characters of the whole show-- gets
pregnant without even really trying, and with similarly low chances of
conceiving at all (her boyfriend, shall we say, is less one of two
important body parts). The conflict this leads to, between the two female
characters, was one of the finer acted stories of the season.
Other stories were still a bit implausible. With all of her
alleged maturity, Carrie
screams when she goes to a log cabin and sees...a squirrel? To her,
squirrels are mere rats with a better tail; one of the bigger pieces of
malarkey spoken this season. A similar moment had Carrie taking her boyfriend's dog for a walk, only to
eventually put the dog in a diaper (apparently, she had no idea a dog's
business would be so...dirty!). All this pales in comparison to the most
implausible claim this season; that Carrie doesn't know how to back up her files (her computer
crashed), nor does she use e-mail (she begins using it this season). Um,
if she can't save a file to disk, nor e-mail it, how does her newspaper
office get her latest column every week? Hmmm? Regardless, Sarah Jessica Parker continues to get
Emmy nominations for this often implausible role. I guess I'm just a bit
more difficult to please than the Emmys.
Speaking of being hard to please; this
season continued to confirm my biggest beef with this series; a lead
actress who refuses to give her part her all. With Charlotte (Kirsten
Davis) daringly performing her first-ever (brief) nude scene last season,
Sarah Jessica Parker is now the only actress on the show
with the myopic, diva-caliber attitude that she can be in a sex-oriented,
racy, R-rated cable series, yet still offer a mere network-TV sitcom performance.
The premiere alone had at least four moments
which would have been much funnier, if performed by an actress willing to
go that extra mile...yet Sarah's
"no nudity clause"
consistently reduces all potential "cable TV" moments
down to network-TV banality. Example: Charlotte
walks into Carrie's apartment while she's in the shower. Why is Carrie
screaming in embarrassment, when she has the surprising ability to grab a
dry towel to cover herself, in all of one split second, while still
inside the shower? Consistently,
I'm amazed at how Sarah insists on portraying Carrie as being rather
"shy." Isn't this character supposed to write her own sex
column every week?
As always, the under-appreciated supporting
cast saved the season from G-rated
monotony. This of course includes the resident vamp of the show, Samantha
(Kim Cattrall), whose unabashed self-confidence, during an amateur nude
modeling session, humorously left even the photographer flustered. Later
plots, where Samantha dabbles in a lesbian relationship, might have had a
few weaknesses in plotline, yet still were well performed. Charlotte (Davis) continues to be the believable,
shy friend in the bunch. As for Miranda, her pregnancy can prove to
provide intriguing plots next season, though for now it was at least funny --even if
unintentionally-- to see an "overweight" Miranda take to the gym
treadmills after hearing Carrie was accepted as a runway model. If
anything, Miranda could stand eating a cheeseburger once
in a while.
The
big ballyhoo --if you can call it that-- is that 6 episodes have been held
over, to air early January, 2002. Why the oddball publicity stunt...? Well, let's just say
I'm not surprised. After all, any series has reached it's highest peak,
at around the time it reduces itself to incongruous guest appearances. The
premiere alone was filled with typical why'd-they-agree-to-this? cameos, including Ed Koch, Heidi Klum, and
Margaret Cho (who should lend the emaciated cast half of the meals she's
been eating lately). A good series never needs to rely on cheap,
one-second cameos. It's too bad Sex and the City is no
longer such a series.
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