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"Nice actors and
often- witty dialog cannot save Days from overwrought feminism, and
a rather force-fed attempt to be 'hip.'"
---from the review
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Sidebar
::
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Female Chauvinism, or Male
Feminism? Although I'm not about to inundate
the actual review with this piece of minutiae, it does deserve mentioning in
a "Sidebar" that all six "first season" episodes were written
by one...man! So; what's up with all the feminist sexism? I guess this as
good of a place as any to say that sexism knows no gender bounds. Just a
small piece of trivia. Don't.
Shoot. The Messenger. Some people get
so irked when this or that show isn't picked up, only to scrounge the
internet for...anything, pertaining to their dying series. They then check out
a Techtite
review of the series, then --especially if the review is negative!--- they send me
letters, flaming my "awful" reviews of
their late, "great" shows. So
to these people, I devote the rest of this review's "sidebar,"
because I can see how someone can love this show. It has great
writing (mostly), great acting (overall), and topical subjects
(this is true). I'm not denying that at all. However,
ABC will hardly cancel this series because of one obscure review. They'll
cancel it because the series got every lifeline, and it just didn't
reel in an effective audience. Not only did ABC hype the premiere;
they pre-empted one of their most watched shows in that first week,
just to air the premiere twice. It's not like the fans of that
series wouldn't have watched the premiere had they wanted to, nor would they
have kept quiet had they liked the premiere, keeping the series afloat by
word of mouth. So, again: don't shoot the messenger. If the series failed,
it's not because of this one review; it's because the series failed to
gather an effective audience. This review is one person's opinions as to why
this was so. It's that simple.
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The Days

This series is a good case of
what helps and hinders a new drama, all rolled into one. The Days
has an attractive lead cast, decent writing, and enough tears to
make soap fans not want to leave this "drama" for your mama. Yet
in the end it makes one little mistake; a major snubbing of the
male demographic, in very female chauvinistic ways.
The
premiere's prologue begins the series nicely, introducing each member of
the Days; a typical upper-middle-class suburban family. Mother Abby Day is an ex-homemaker
who recently returned to her work as an advertising executive. Father Jack Day is in the
sort of law firm that, as the series narrator puts it, slowly takes away
your inner soul, piece by piece. Cooper Day, their "middle
child," is narrator of the series because each episode is a part
of the journal he's writing, that he hopes will make him rich
someday (perhaps, we must presume, as a TV series: wink, wink!).
Older sister Natalie Day is a high school soccer star
with "Beckham's right leg." Finishing off the Days' quintet is
young Nathan, a child "genius," recently sent to a private
children's school.
Each episode is one
24-hour "day" in the life of the Days (hence the double-entendre
title). In the premiere "day," Jack has a mid-life crisis meltdown and quits his lawyer
job. Nathan has a young meltdown of his own and nearly passes out in
school. Teenage Natalie and her mom have the identical yet still
very polarized tensions of unexpected pregnancy. As for Cooper, he's sort
of a writer, sort of a stoner, and sort of like "the boy
casting agents hope will bring in the teen demographic as the writers
come up with a decent back story for him."
Such
is just a small dollop of the series' biggest flaw: reverse sexism. See; a show made for
both men and women would have equal skills and flaws for all
characters; CSI, Without a Trace, and yes, even Melrose Place.
Yet every once in a while there's a show that tries so hard to not be
"male" chauvinist that...well, just look at the previous
paragraph. Every male character is
either a slacker, or, if they happen to be successful, a "burnout."
The women are heroic dynamos who
would be the next sports sensation, or even the next corporate executive,
if not for those gosh darn men who get them pregnant. Even the opening
credits is edited to include a shot of Natalie smiling like the prom queen, while Cooper is one buck tooth away from a total "Duh"
expression.
Such
feminine sexism is a shame, because
there's a lot to love about these Days. The dialog is smart and
snappy, and the topics are either hot, or even when they're
not...cute. I particularly liked the
pilot episode story pertaining to Nathan, who as it turns out was having a panic
episode in school for an additional reason; he was seated next to a girl
he likes. When told by big brother Cooper that he should grasp the moment
"Carpe Diem" style and just tell her how
he feels, he hops on a bus with a small batch of flowers and does just
that. That was cute.
Not
all stories are as golden. The pilot episode alludes to Jack's best
friend constantly urging him to join his smaller, more
ethical law firm; why didn't he do that, instead of making a total
embarrassment of himself at work, and quitting
law entirely...? Am I to supposed to presume he quit his job with reckless
abandon "because he's a guy and guys are that dumb"...? Such sexism is
driven home when Jack finds out his wife is pregnant, goes running back to
get his old job back,
only to be told his job has already been filled --In
mere hours! In one day!-- and get this: "She starts
tomorrow." You'd think I emphasized "she" as an attempt at pointless dramatic
fluff. Too bad this series beat me to it.
However, sexism alone
does not destroy a series' appeal. That would be the work of totally
haphazard script writing...no matter how smart and snappy the dialog often
is. Guest characters are so poorly written they seem to have morals one
minute, only to lose them the next, only to get them back again, whenever
the scripts require it. Cooper's friend Zanni, for example, gets
unexpectedly kissed by Cooper in episode 3, only to quickly kick him hard
in the groin, insisting she's not that kind of girl. Yet a mere three episodes
later she's ready to "do the deed" with Cooper, complete with a
Catholic schoolgirl costume she just happened to have in her closet. How
much of an about-face can one character have? It's implied that Zanni's
parents are open to her experimenting with drugs. One might muse if those
drugs include Prozac.
Sure, this implies that
some of the women are as flawed as the men. Yet The Days always
seems to bend over backwards to show us that even when the women are being
jerks, they're quasi-heroines, while even when the men are princes...nope,
they're pigs. Even the nicest of boys in Natalie's school turns out to be
a Homer Simpson in disguise, to the point where Mr. Doofus actually yells
at the top of his lungs to his dad at home, "Don't worry dad; she's already
pregnant!" Compare this to how one female teammate of Natalie's is
single-handedly responsible for raping Natalie of her reputation at
school, squealing to the principal about her pregnancy, kicking her out of
her prized position in the soccer team and even getting crowned the new
team captain in Natalie's place...yet Natalie is still supposed to be
wondering what happened to their friendship (!). Give me a break, will you
girl?
I would be wrong if I
said this series didn't have a glimmer of potential. On the most part, it's a well
written, well acted show. Yet all the sexism plays out not unlike a candlelit
restaurant with the chef audibly heard coughing on all the food. "Will I get
sick, if I swallow any of this?" Similarly: would gag on my own
sentence if I were to recommend watching such a femininely sexist drama? It
isn't worth the risk.
---Techtite
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