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"...this is a great new drama series. Let's just hope they can write off that cliffhanger with any plausibility, and it's smooth sailing from there."

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Letters; we get letters! As we get letters about a review, we like to link to some of them. Here is the top of the e-mailbag for this review:

"I very much enjoyed the review of the first season of "The O.C.". It quite akin to my views, especially regarding the abomination of a character that is/was Oliver - ew!"

Write your own response at Techtite's Letters page!

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The O.C.

A Review by Techtite

Say what you will about FOX. Their reality TV may be frequently immoral (come on: Bachelorettes in Alaska...?), and their sitcoms touch and go, but man, do they know their teen dramas. Much like 90210 and Melrose Place, this series may need to wait until season two in order to get all the bumps in the carpet out; it's still a finely crafted drama, however, and the latest guilty pleasure for its fans.

This is a drama set in The O.C., otherwise known as Orange County, in California. The story begins when a wayward teen, Ryan Atwood (Benjamin McKenzie) is about to be sent to jail. Ryan is one of those otherwise nice boys who is a "bad boy" only because his troubled upbringing forces him to be. Enter his lawyer, Sandy Cohen (Peter Gallagher): one of those types who would be a big time millionaire lawyer if not for a desire to handle the "little" cases like this one, that remind him of his own (apparently) troubled youth. Sandy not only reduces Ryan's sentence to a mere probation; he sees a kindred spirit in the boy, and decides to take him in, with Ryan having nowhere to go. This leads to polarized first impressions in the Cohen house; Sandy's wife Kirsten (Kelly Rowan) sees Ryan as a bad influence, while son Seth (Adam Brody) always wanted a brother, and quite frankly, could use a friend.

I think what I like about this drama is how it is not a teen drama, yet maintains a teen drama's appeal. One of the worst plot contrivances in 90210 was how suddenly the parents of Brenda and Brandon moved out of the house and left their two young kids in charge of the house while they were away. Um...why?!? Because in the real world the writers had no more plot possibilities for the parents, and wrote them off the show any way they could. Compare that to the adults in The O.C. who are given a broader sense of three-dimensionality and therefore, offer the drama more plot twists to work off of. Most episodes are almost right down the middle, with one half of the plots involving the parents and adults in The O.C., with the other half being the teens. I've seen other dramas attempt this yet never with as much success as this show has had so far. The mesh of adolescent and mature drama is perfect.

Since this is a review post-season-one, let's summarize the cool plot twists so far. We had Ryan meet Marissa Cooper (Mischa Barton), who has led to many a nighttime soap element on the series, from her bout with alcohol to her quickly deciding to lose her innocence to her original boyfriend, Luke, only to find out he's cheating on her with other girls. Meanwhile, Marissa's best friend Summer (Rachel Bilson) is Seth's childhood crush, leading to Seth slowly getting her to melt down and date him, thanks to Seth's growing confidence, thanks to Ryan's influence as his new "brother," of sorts. Meanwhile, Marissa's father Jimmy (Tate Donovan) had a bout with possible jail time when he mishandled money as an accountant and nearly sent all his clients to bankruptcy right along with him. As for Marissa's mom, Julie (Melinda Clarke), she's the sort of "bad girl" of this drama, leading to her cooly divorcing Jimmy, only to marry Caleb, if just to stay in the richer celebrity circles. The catch: Caleb is Kirsten Cohen's father, making Kirsten's former classmate her new stepmother. This is some of the sort of guilty pleasures this nighttime soap has delivered so far, in just its first season.

Not that all plots were golden. No less than two characters were written off the show, for no reason other than the writers (or so one must presume) had nowhere to go with them. Marissa began with a boyfriend, Luke Ward (Chris Carmack), who begins as Ryan's nemesis, yet slowly they become friends, seeing that they share many of the same problems. Yet the writers didn't have anywhere to go with this character, leading to a plotline out from left field where he has an affair with Marissa's mom (!), only to mercifully write his character off the show, before they made poor Luke do anything worse than that. This is a shame, because now the only two recurring male teen characters are...Ryan and Seth?

Then there was Anna (Samaire Armstrong). Anna began as the typical tale of a girl who likes Seth but he can't see it so she tries to get closer to him by helping him get closer to the girl he's pining for, Summer. Yeah this has "Some Kind of Wonderful" written all over it; even more so, when Anna's character looks so much like Mary Stuart Masterson it's uncanny. Yet as adorable as Samaire Armstrong is, and as much as fans loved the character, there wasn't much to do with her when it came down to Seth choosing one or the other. Why did he "have" to choose Summer? Because the actors were dating in real life; that's why! So sorry Anna; your leaving the series was one of the saddest parts of this first season.

Not that the same can be said for the first season's worst plot contrivance, Oliver (Taylor Handley). Here's how annoying this character was: the season was 27 episodes long, and Oliver guest starred in a mere 6 of them, yet it seemed more like 28! I'm all for villains in a nighttime soap, but at least make them interesting, entertaining, enjoyable to watch, or even palatable. This character was not only obnoxious; the very fact that only Ryan could see this character's obnoxiousness made the rest of the cast seem mentally challenged. How annoying is "annoying"...? When Oliver's final scene reaches fruition he aims a gun to his head and the entire viewing public is screaming for him to pull the trigger. The original script allegedly contained this final moment, yet someone felt he'd make a great return villain, so he was dragged away by cops instead, for a likely return someday. Noooo! I'd prefer Jar-Jar Binks guest starring as Ryan's long lost father, before inviting Oliver back. I'm not joking.

There's also that cliffhanger to consider. I don't mind spoiling it here since it's important to know prior to season two, and what's more, you probably won't get to see it in reruns stateside, anyway, with a slew of new TV shows trying for some ratings on FOX during the summer. So let me summarize this finale by saying: Ryan may be a dad to a very hard-to-appreciate guest star, while Seth goes sailing to nobody-knows-where and...well, that's about it really. Oh yeah; Marissa's Mom married Kirsten's dad, making Seth's mom her stepsister and Marissa's Mom now Kirsten's Mom. Does that make any sense? Yeah; this first season's finale was like that on people. Let's hope the following season can straighten things out a little.

Oliver aside, this series' first season was a smash hit. The only bad news was how the series began in the middle of summer, which meant that this 27 episode season had a lot of gaps between new episodes from time to time, in order to make these episodes last from the premiere August 5th, all the way through to May. Yet two minor faux pas hardly constitute a bad show. In fact the show has the promise of lasting many more seasons to come. In a perfect world, the three big name networks would have as much knowledge about good nighttime soap writing these days as FOX does. At least one network knows how it's done. That's all that truly matters.

                                                                    ---Techtite

 Final Rating : Large Crater. "Oliver" notwithstanding, this is a great new drama series. Let's just hope they can write off that cliffhanger with any plausibility, and it's smooth sailing from there.

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