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"Everybody who deserved a
win did, but the Emmys need to realize that when it comes to live
TV, less isn't always more."
---from the review
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Sidebar
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May We Quote You?
Here's some random quotes of the
evening worth repeating: ---“Next to the Oscars, the Golden
Globes, the People’s Choice and the Grammys, [the Emmys] are TV’s
biggest night!” (Conan O'Brien as Presenter) ---“I’d like to thank the Academy, and
I’d like to thank my mother…and I’d like to thank my mother again,
because I forgot to thank her last year.” (James Spader, accepting as Best Actor,
in a Drama) ---
“All year
long they’ve been asking us, ‘do you think now that your show is going
that this means the end of [sitcoms]? ’…and I want to say…yes. I also
think that beyond that it’s the end of laughing, and soon, the end of
smiling.” ---(Philip Rosenthal,
producer, Everybody Loves Raymond, which won for its final season on
the air).
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The 57th Prime Time Emmy Awards (2005)

Not so good, not so bad. That’s the
2005 Emmy awards in general. I guess the same can
be said of the season this awards show commemorates, so who can complain?
Still, one has to hand it
to an awards show that included at least two political rants, at least
three “dark horses” winning
their races, and the obligatory outlandish acceptance speech, yet at no point did the awards show seem overbearing, pompous,
arrogant, and for that matter...well...all too exciting.
Not that it’s Ellen’s fault. For whatever reason
Ellen DeGeneres was “host” only in the most casual terms. Her opening monologue played second fiddle to
a song by Black Eyed Peas. That was hardly insulting though; what was
insulting, was how Ellen was barely seen in between awards, with
cartoon clips shown instead...and what's more; the cartoon was Family Guy.
Whether or not you’re a Family Guy fan is immaterial. Cartoon clips in between major award presentations
spoiled the whole mood. As if to add insult to injury; the jokes these
cartoons told weren't that funny. Ellen played second fiddle to cartoons
so we could hear a dated 1990's joke about Arsenio Hall? How embarrassing!
So sorry, Ellen.
If only an occasional cartoon
clip was the only err this year. An apparent audio glitch
led to many awards offered without any music in the background,
which may seem rather minor, but the nonmusical silence was rather deafening. If this was indeed an audio glitch, it may also explain why
some award speeches were cut embarrassingly short when loud music cued time running
out...while other speeches were allowed to ramble for many minutes. However,
it's not that I'm saying live TV is a picnic. I can understand
the difficulty to keep a live telecast running smoothly, so let's
just move on.
To be fair: there were
some highlights this evening. A tribute to Peter
Jennings was hosted by Tom Brokaw and Dan Rather, showing how they may
have been on opposing networks, and yet they still respected one
another as news journalists. It’s a shame that for whatever reason, a
similar honor couldn’t be given to Johnny Carson, who got a nice enough memoriam hosted by David Letterman, yet no other talk show hosts
were present. Given how
Jennings’ “rivals” were able to stand together in a memoriam for him, it’s a shame that Leno, Letterman, and
Conan couldn’t do the same for Johnny.
Darn;
I tried to not be negative. Let's cover the one moment of the evening that
can't be treated negatively, if just because it was so enjoyably silly!
Namely: an “Emmy Idol” reality show parody, had various TV stars sing classic TV tunes
of yesteryear throughout the telecast. The winners were Donald Trump, dressed in bib overalls, singing the tune to Green
Acres next to an "Eva Gabor"-style Megan Mullally.
Other “Idol” moments include Veronica Mars' Kristen Bell singing the theme to the
TV series Fame, CSI’s Gary Dourdan singing "We're Movin' On
Up" from The Jeffersons, and William Shatner himself,
narrating the classic opening to Star Trek. Did I mention yet how
awards shows need to bring back more musical and dance numbers, to keep
the show from getting so boring? Well they do. This one did, and it made
the audio glitches and other errors elsewhere totally immaterial because
of it.
Now, let's consider the
presenters. While it's hard to name the "best" or
"worst" presenter, Most Interesting Presenter would have to be Blue Man Group, who would present
the Emmy for Best Reality Show. How ironic is this? Love or hate
them, these blue men have to be the most “unreal” performers today, with their
blue heads and in this case, TV monitors as helmets. I don't know what to
say about this moment aside from it made me laugh hysterically. I wish I
could say the same for the producers of The Amazing Race, who didn't seem
terribly amused that their award was presented this way. I can see their
point if they were really upset. It's not that we don't like Blue Man
Group, but when presented a prestigious award, we'd all prefer a sexy TV
star dressed to the nines, right?
As for acceptance
speeches, fodder for many a talk show host's monolog will have to be
Epatha Merkerson (Lead Actress in a Mini-Series or TV Movie, Lackawana
Blues), who began with some spiel about losing her written speech in her
dress, and then just rambled for whatever little time the Emmy telecast
gave her. You have to give her credit though; when told to wrap it up, she
actually did (!), with a simple “Okay…thank you!” and a humble walk
off the stage. Remember when Julia
Roberts’ wonder bra won a Best Actress Oscar and Julia thought it was
hers? The resulting Oscar acceptance speech had Julia cackling for what
felt like an eternity. Julia
could learn from Epatha.
Not
that Epatha's win was a surprise, really, but here's one that surprised
all of us: Jon Stewart, whose Daily Show won for Outstanding
Variety, Comedy, or Music series, with
an additional Emmy for Best Writing. When put up against
Conan O’Brian, Jay Leno, and David Letterman, is this not a surprise to
anyone else...? It’s sort of like Yoda
and Obi-Wan losing a Best Jedi award to a 9 year old "Annie" Skywalker. At least Jon Stewart was
humble about it, keeping both acceptance speeches brief and even
flattering Letterman in the second, saying that it was funny how all of the praise David
Letterman gave Johnny Carson in his memoriam, Jon’s generation feels
about Dave. That was a nice thing to say, so we won't get too upset about
his Emmy win. It still seems like the veterans losing to the "new
guy" though.
One parting thought was
how Emmy straddled the fence in the great online debate between fans of Arrested Development,
and fans of Desperate Housewives. Well, neither would win Best
Comedy series --so there!-- with the Emmy given to the final season of Everybody
Loves Raymond. Even so, Charles MacDougall won a Best Directing episode for
the Desperate Housewives pilot episode, while Best Writing went to an
Arrested Development episode
(Mitchell Hurwitz, Jim Vallely, “The Righteous Brothers”). In the
latter acceptance speech, non-watchers were still reminded of the
critically acclaimed sitcom that's always been in the Nielsen's toilet,
with the following comment by the writers: “We’d be remiss if
we didn’t point out the fact that the academy has twice rewarded us for
something that you people won’t watch!” Ah, the fodder this will give
the message boards...until next year's Emmys, anyway.
---Techtite
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